ZigMon

ZigMon

Country
Australia

Genre
Techno

Stage
Vortex Stage

Stone Seed (FKA Bassic Records) founder ZigMon breaks the boundaries of progressive, techno, house and electronica, generating encapsulating dancefloor dynamics with deepened drive, elated euphoria and a touch of psychedelia. Finding a balance between alluring melodies, driving basslines and grounding groove, ZigMon sees his purpose to deliver something unexpected and unique, compelling an unpredictable and emotional journey without the confines of style or genre.

A vagabond of the Australian festival circuit, ZigMon’s diverse energies have compelled dancefloors at Splendour In The Grass, Rainbow Serpent, Strawberry Fields, Earth Frequency, Dragon Dreaming, Esoteric, Elements, Babylon, Tanglewood, Subsonic Music and as an official resident DJ of Rabbits Eat Lettuce and Bohemian Beatfreaks.

His accomplished background in the DJ field – warming crowds for, to closing after Boris Brejcha, Victor Ruiz, Enrico Sangiuliano, Alex Stein, at festival main stages, revered clubs and warehouse venues – has co-created the skilful developments of the ZigMon voyage and the resulting adventurous performances. His finesse on the decks has seen him gain worldwide support, releasing DJ mixes on acclaimed platforms 8day Montreal, Techgnosis Records, radiOzora, Flow Music and Wildwood Podcast Series.

As an auspicious contemporary music curator, ZigMon was invited by Yuli Fershtat AKA Perfect Stranger to compile ‘Eucalyptych’ on the famed Digital Structures imprint. On his own label Stone Seed, ZigMon’s compilations include the ‘Bushfire Aid’ series fundraising for Australian bushfire relief, and ‘Labyrinth Vol II’, which landed fifteen total release and track chartings, including four Top 10. 2022 will see the release of ‘Eucalyptych Vol II’ on Digital Structures and ‘Labyrinth Vol III’ on Stone Seed.

Connecting a thriving progressive, psychedelic and bush techno scene throughout Australia and worldwide, ZigMon delivers heartfelt efforts and innovation that glimmers through the modern music industry congestion.